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  • ...film makers moving between studios, or that the same screenplays are sent to several film studios. Another explanation is that films often deal with top ...ww.newyorker.com/archive/2006/09/25/060925ta_talk_seabrook Tru, Two]", ''[[The New Yorker]]'', 25 September 2006. Retrieved 23 June 2011.</ref>
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