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  • =====Hollywood===== ...logico delle istanze specifiche del complesso politico-militare americano. Hollywood, il Pentagono, Washington costruiscono film per quella che percepiscono com
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  • ...Screwball Comedy, The Musical and The Family Melodrama.<ref>Thomas Schatz, Hollywood Genres. Random House. 1981.</ref> ...o civilization, embodies this ambiguity." <ref>Thomas Schatz. The Western. Hollywood Genres. Random House, 1981. Pg. 51</ref>
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  • ...t Four Screenplays|accessdate=August 10, 2012}}</ref> The spec script is a Hollywood sales tool. The vast majority of scripts written each year are spec scripts ...nal writer of the script.<ref>Skip Press, ''The Ultimate Writer's Guide to Hollywood'', pg xiii. Barnes and Noble Books, 2004.</ref> Many established screenwrit
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  • ...y]] often includes the study of conflicts between the aesthetics of visual Hollywood and the textual analysis of screenplay. Overall the study of film continues A movement away from [[Hollywood]] productions in the 1950s turned cinema into a more artistic [[independent
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  • ...hollywood-auction-ends-myth-of-zaftig-marilyn-virginia-postrel.html |title=Hollywood Auction Ends Myth of Zaftig Marilyn |author=[[Virginia Postrel]] |publisher
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  • ...ks.google.co.uk/books?id=7rNu06-I6IsC|title=On the Origin of Spin: (Or how Hollywood, the Ad Men and the World Wide Web became the Fifth Estate and created our
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  • ...[[screenplay]]."<ref>Norman, Brian. “Reading a ‘Closet Screenplay’: Hollywood, James Baldwin’s Malcolms, and the Threat of Historical Irrelevance." [[A
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  • ...focus became a popular cinematographic device from the 1940s onwards in [[Hollywood]]. Today, the trend is for more [[shallow focus]].
    41 KB (6 474 parole) - 16:16, 14 gen 2016
  • ...peface.<ref>[http://johnaugust.com/2007/hollywood-standard JohnAugust.com "Hollywood Standard Formatting"]</ref> ...style of the writer &mdash; and yet it continues to hold sway in modern [[Hollywood]].
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  • ...re-length film to be shot entirely in [[Hollywood, Los Angeles, California|Hollywood]] was [[Cecil B. DeMille]]'s first assignment, ''[[The Squaw Man (1914 film challenged in court. In the case of Hollywood films, judgments for the [[plaintiff]] can run into the millions of dollars
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  • ...e to assess the likely market and potential financial success of the film. Hollywood distributors adopt a hard-headed business approach and consider factors suc ...e budget, determine the size and type of crew used during filmmaking. Many Hollywood [[Blockbuster (entertainment)|blockbusters]] employ a cast and crew of hund
    19 KB (2 785 parole) - 16:16, 14 gen 2016
  • ...uenced the young generation of film enthusiasts who would become the [[New Hollywood]], including [[Martin Scorsese]], [[Peter Bogdanovich]], [[Francis Ford Cop
    13 KB (1 959 parole) - 16:17, 14 gen 2016
  • ...ione%20alla%20storia%20del%20cinema%20%28OCR%29.pdf Crisi e rinnovamento a Hollywood: l'esempio di Elia Kazan e Nicholas Ray] (pag.88)</ref>, [[Billy Wilder]] <
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  • I ''mockbuster'' hanno una lunga e prolifica storia ad [[Hollywood]] e nel resto del mondo<ref>{{Cita news |nome=|cognome=Editorial Writer(s) .../ref> La [[The Asylum]], uno studio cinematografico con base a [[Hollywood|Hollywood (California)]], creatore di ''Snakes on a Train'', specializzato in produzi
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  • ...o stile classico di questi film ai grandi finanziamenti delle produzioni [[hollywood]]iane.
    5 KB (786 parole) - 16:29, 14 gen 2016